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Few TV producers were more adept at turning Death into a punchline than Bryan Fuller, as witness his cable efforts Dead Like Me and Wonderfalls. Fuller maintained this singular tradition in his first major “over-the-air” series, the seriocomic, semi-fantastic ABC offering Pushing Daisies TV Show, which in fact had been originally conceived as a spinoff of Dead Like Me but ended up being developed separately. Lee Pace starred as Ned, who at the tender age of ten discovered that he possessed a rare gift: the ability to bring the dead back to life simply by touching them. Unfortunately, those whom he “resurrected” could only stay alive for 60 seconds, whereupon Ned had to touch them again and send them back to the Other World permanently
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Stage, screen and theatre actress Anna Friel has garnered awards and critical acclaim on both sides of the Atlantic.
Following a busy 2004 in North America — she starred opposite Rob Lowe in the CBS romantic comedy film, “Perfect Strangers,” won over audiences as defense attorney Megan Delaney in Barry Levinson’s gritty courtroom drama, “The Jury,” for Fox, played a heroin addict in Gary Yates’ film “Niagara Motel,” and appeared as Eddie Griffin’s melodic Irish sweetheart in the feature “Irish Jam” — Friel announced her pregnancy at the start of 2005. The first half of that year kept her busy in the UK filming the first in the popular film series, “Goal!,” before giving birth to a beautiful baby daughter, Gracie Ellen Mary, on July 9th, with her partner, actor David Thewlis.
“Goal II: Living the Dream” beckoned and Friel returned to work in Spain in the autumn, bringing baby Gracie to her first film set. The first half of 2006 kept her out of the UK again, filming the most grueling role of her career to date, that of legendary Countess Elizabeth Bathory, reported to be the greatest murderess in history. “Bathory” was a long, arduous, but highly rewarding shoot in and around the Czech Republic and the beautiful castles of Eastern Europe. Friel is also currently featured in a highly successful campaign for Pantene in the UK.
Born in North West England to parents who were language teachers, Friel grew up speaking fluent French. She first joined Oldham Theatre Workshop in 1989, performing in numerous productions in theaters across England. The following year she was cast on the BBC series “In Their Shoes,” and also starred in Alan Bleasdale’s critically acclaimed miniseries “G.B.H.”
During the next two years, Friel amassed a long string of UK television credits that led to a gritty regular role, that of Beth Jordache, on the phenomenally popular series “Brookside.” During her last year on “Brookside” she garnered the coveted National Television Award for Best Actress, after which a number of television performances followed — including her much admired depiction of Bella Wilfer opposite Steven Mackintosh in Charles Dickens’ “Our Mutual Friend.”
In 1995 Friel made her first foray into the world of feature film with Stephen Poliakoff’s movie “The Tribe,” opposite Joely Richardson and Jeremy Northam. Other films followed, including “The Stringer,” “The Land Girls,” with Rachel Weisz and Catherine McCormack, “Rogue Trader,” starring alongside Ewan McGregor, “A Midsummer Night’s Dream,” with Kevin Kline and Michelle Pfeiffer, “Sunset Strip,” “Watermelon,” Barry Levinson’s “An Everlasting Piece,” “The War Bride,” for which she was nominated for a Genie Award for Best Performance by an Actress in a Leading Role, the critically acclaimed “Me Without You,” and the time-travel adventure for Paramount, “Timeline,” alongside real-life partner David Thewlis, Paul Walker, Billy Connoly and Gerard Butler.
In 1997 Friel returned to the stage at the Almeida Theatre in “Look Europe!,” with Harold Pinter. Two years later she starred on Broadway in Patrick Marber’s “Closer,” alongside Ciaran Hinds, Rupert Graves and Natasha Richardson, and was honored with a Drama Desk Award for Outstanding Featured Actress in a Play, as well as a Special Achievement Award for an Ensemble Performance. More recently she starred in the London stage play “Lulu” at the Almeida, for which she received the Helen Hayes Award for Outstanding Lead Actress in 2002.
Thanks to Golden Globe-nominated performances for his television work, quirky actor Lee Pace had little trouble becoming a known commodity in short order. Ever since his breakout performance in “Soldier’s Girl” (Showtime, 2002-03), Pace was on the fast track to television stardom, though success in features remained tougher to come by. But it was his leading role on the whimsical hit dramedy, “Pushing Daisies” (ABC, 2007- ) that put the handsome Pace on the map, providing good footing to take the next large leap in his career.
Born on Mar. 25, 1979, in Chickasha, OK, Pace spent a small portion of his youth growing up in Saudi Arabia, where his father worked for an oil company. Back in Houston, TX, Pace developed a taste for acting when he joined the Alley Theatre, a move that led him to temporarily quit high school. After performing in a few productions, Pace returned to high school to graduate, before attending the prestigious Juilliard School to study drama, where he essayed several Shakespearean roles, including Romeo in “Romeo and Juliette,” the titular villain of “Richard III,” and the traitorous general Cassius in Julius Caesar.” He left Juilliard with his degree and continued acting on the stage, most notably off-Broadway in Craig Lucas’ “Small Tragedy,” which earned the young actor a nomination for Outstanding Lead Actor at the 2004 Lucille Lotel Awards. Meanwhile, he made his small screen debut with a guest starring role on the eternal “Law & Order: Special Victims Unit” (NBC, 1999- ).
Pace rose to prominence with his Golden Globe-nominated turn in “Soldier’s Girl” as a transgender entertainer whose relationship with a G.I. (Troy Garity) leads to the soldier’s brutal murder at the hands of a fellow infantryman. The role also earned him a nomination for Best Male Lead at the Independent Spirit Awards in 2004. Pace landed his first regular series role in the ultimately short-lived “Wonderfalls” (Fox, 2003-04), playing the scholarly brother of a Niagara Falls souvenir shop employee (Caroline Dhavernas) recovering from a nervous breakdown who suddenly starts believing that the store’s inanimate objects are delivering her cryptic messages.
Making his debut in features, Pace had a small role in the romantic drama “White Countess” (2005), before making a more substantial impact in “Infamous” (2006), playing Dick Hickok, one of the drifters who killed the Clutter family in rural Kansas, leading to Truman Capote’s (Toby Jones) famed novel, In Cold Blood. After a small part in Robert De Niro’s middling CIA yarn, “The Good Shepherd” (2006), Pace returned to regular series television, landing the lead role in the endearingly quirky “Pushing Daisies” (ABC, 2007- ), a supernatural fantasy about a man (Pace) with the power to bring the dead back to life with a touch, only to send them to permanent death if he touches them again – all to collect the reward for any information on the person’s death. Pace’s performance earned the actor a nod at the 2008 Golden Globes for Best Performance by an Actor in a Television Series – Comedy or Musical.
Pushing daisies TV show is a romantic comedy shows us the strange world of a man, Ned a pie maker, who owns a restaurant called “The Pie Maker”. Ned is a modest boy and he realized that he has a mysterious ability and with that ability he can bring dead people back to life through the power of his touch. But there is one condition or catch that the people, he touches, can stay alive for one minute. If they don’t die again, someone nearby will die. Ned puts his ability to solve crime.
Ned starts working with an investigator, Emerson, to solve murder cases. Ned helps Emerson, by bringing murder victims back to life and find out who killed them. But the story gets complicated when Ned brings his childhood truelove, Chuck, back from death and decides to let her alive. Chuck inspires Ned to us his power to help general people, not just only for solving mysteries and getting rewards. Life would be very perfect for both the guys (Ned & Chuck), except for one twist; if Ned ever touches Chuck again, she will again die. Pushing Daisies tells that how can you stand not touching the one you love? Pushing daisies is created by Bryan Fuller and it shares some views from his previous shows. The main plot about life and death is also similar to Bryan’s show ‘Dead like Me’. ABC, however describes, This show is an “an unprecedented blend of romance, crime procedural and high concept fantasy.
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LOS ANGELES (Reuters) - After a U.S. prime-time television season notable for its lack of breakout hits, the supernatural fantasy “Pushing Daisies” emerged as the favorite new show of viewers in an AOL poll released on Tuesday.
The ABC series about a pie-maker possessing the power to bring the dead back to life with a single touch — and to dispatch them again with a second touch– ranked as the best new TV show among 24 percent of survey respondents.
The CW network’s hormone-fueled teen drama “Gossip Girl” was No. 2 with 20 percent of the 1.4 million votes cast online for the AOL Television poll.
While neither show achieved bona fide hit status in its freshman season, “Pushing Daisies” was a critical favorite and garnered a Golden Globe nomination, while “Gossip Girl” generated buzz with its provocative “OMFG” promo campaign.
The new CBS comedy “The Big Bang Theory” ranked No. 3 with 19 percent of the vote, while NBC’s “Chuck,” about a computer geek recruited as a secret agent, and the Fox sci-fi thriller “Terminator: The Sarah Connor Chronicles,” tied for fourth place with 15 percent each.
Strangely, the season’s most watched new scripted show according to Nielsen Media Research, ABC’s “Samantha Who?,” starring Christina Applegate as a woman with amnesia, failed to even crack the top five in the AOL survey.
“Samantha Who?” averaged 11.4 million viewers over 16 episodes and ranked No. 29 overall during the 2007-08 broadcast season, compared with “Pushing Daisies,” which averaged 9.5 million viewers from just nine episodes and ranked No. 52 among all shows, Nielsen Media Reported.
“‘Pushing Daisies’ is one of those sweet little shows that people really seemed to rally around, even in a limited dose,” said AOL Television editor in chief Scott Robson. The show, which failed to return to the airwaves following the Hollywood writers strike, has been renewed by ABC for a second season.
Not so surprisingly, one of television’s biggest bombs last year, the ABC comedy “Cavemen,” which was canceled after just six episodes, was the overwhelming choice among AOL survey respondents (73 percent) as the worst new show of the season.
In other AOL survey findings, the Fox medical hit “House” ranked as the season’s best drama; the bawdy CBS sitcom “Two and a Half Men” was voted best comedy; NBC’s self-parody “30 Rock” was voted the most underrated show; and the ABC hospital drama “Grey’s Anatomy” won the competition for sexiest cast.
NBC’s “Las Vegas” drew the most votes for which canceled show would be most missed by viewers, and the ABC romantic reality series “The Bachelor” ranked No. 1 as the show regarded as “SO over.”
Think of those first nine episodes of “Pushing Daisies” as a “teaser season.” That’s how showrunner Bryan Fuller describes the abbreviated launch of his primetime fairy tale about an average guy blessed/cursed by his ability to bring the dead back to life.
In some ways, Fuller says, being interrupted by the writers strike was a good thing: “The break in the first season really allowed me to get out of the weeds of the show and look at where we were going with the stories. We were just going to continue telling a lot of these episodic tales, and we weren’t able to weave in as much of the serialized storyline as I wanted to in the first season.”
So whereas those first nine mini-mysteries were designed to attract new viewers, reiterating the show’s eccentric premise in every episode, season two will allow for an “epic arc” as well as plenty of shorter multi-episode intrigues.
“Learning from my days on ‘Heroes,’ I’m planning to add some cliffhangers, which we’ll get into starting with episode five. That’s when a new character comes into the world and really shakes things up, somebody who has a link to the shared histories of both Chuck and Ned,” Fuller says.
What Fuller and company did establish in the show’s short run was a vivid, impressionistic world full of eccentric characterizations. In some cases, it’s tough to decide which is more colorful: Chuck’s aunts or Ned’s workplace, the Pie Hole.
“I think one of the things that sets ‘Daisies’ apart is that there is a strong design aesthetic to the show. Your eyeballs will be happy,” Fuller says. “We have this candy-colored world, but it’s also a ’40s romantic comedy and a noir detective (story), so there are so many genres going into the soup that it came out with its own flavor.”
THERE is something deliciously ironic about the premise of Pushing Daisies. It basically is a recipe for life with death as the main ingredient! That little game of contrasts is present throughout the show, and programme creator Bryan Fuller is the mastermind behind every move. First, he sets up a scary scenario – complete with crafty camera angles and attractive blonde (you know, the kind of scene that would make Alfred Hitchcock proud); then he’ll reveal something that will just make you want to laugh out loud. In one episode, we see a man getting stabbed with a sharp tool, over and over again … and the next scene he drops dead and the “weapon” ends up being the end of a dog brush. Wait, the joke does not end there … the man actually stabbed himself as he was tenaciously trying to stop himself from toppling over while standing on slippery ground.
Investigator Emerson (Chi McBride, centre) and Chuck (Anna Friel, left) wait in anticipation as Ned (Lee Pace) touches a dead person to tell them how he died, in Pushing Daisies.With episodic titles like The Fun in Funeral and Corpsicle you get an impression of what the series is like.
Even as the tragedy occurs, Pushing Daisies fills our senses with a burst of colours, amazing props, quirky characters, narration and music. While the series largely features dead people – most of whom have died some gruesome death – Pushing Daisies is actually a touching love story about a Prince Charming who rescues a Sleeping Beauty with a single touch … a touch he can never repeat if he wants the said maiden to continue breathing. Too many metaphors? Well, there’s a lot of that going on in this series and it gets a bit contagious.
Pushing Daisies revolves around a pie maker named Ned (the fantastic Lee Pace) who has the ability to bring back the dead with a single touch. Like all reluctant heroes, he sees this ability to be both a curse and a gift. Well, it’s mostly a curse since as a child he accidentally “killed” his mother and his neighbour. However, it became a gift when it meant he could resuscitate his sweetheart, Chuck (the delightful Anna Friel) after she was murdered.
Also, he has been helping a detective, Emerson (Chi McBride) to solve cases involving murders, with his gift. As the very observant narrator (Jim Dale) tells the viewers at the beginning of each episode, Ned and Chuck can never ever touch even though they obviously have feelings for each other. A single touch from Ned would send Chuck to a permanent death. Then there’s the guilt that Ned secretly harbours because the neighbour that dropped dead because of him was actually Chuck’s dad.
What has happened is explained in the beginning of each episode with recaps and a look at Ned’s childhood so anyone arriving late to the series can still catch up. But that would mean you’d have missed all the wonderful set-ups and charming conversations. Not to mention the odd things that go on in the show, which features even stranger characters.
Take Chuck’s two aunts who are truly eccentric – the one-eyed Lily (Swoozie Kurtz) and Vivian (Ellen Greene) – who have retreated from the world and ultimately giving up their life as famed synchronised swimmers upon learning about Chuck’s death. Then there is the detective who knits to keep himself calm, or Ned who talks funny and makes funny faces when he’s ruffled; also a waitress (the pint-sized Kristin Chenowith who makes Pace look like a mini giant) pining for Ned’s love.
Like all those characters created by Fuller in his previous series – Dead Like Me and Wonderfalls – the bunch on this TV series only further prove that odd people are people, too. Admit it, all of us are quirky in our own way. In Fuller’s world, these people are presented in a much richer form upon an equally rich tapestry. Have you ever wondered how you’d handcuff a one-armed bandit? It’s questions like this that keep the show ever so peculiar.
Sadly, Fuller’s kind of world has never appealed to the big studio bosses, what with Dead Like Me and Wonderfalls killed off in their prime. But Pushing Daisies seems to have caught the public eye (yay!) allowing us viewers a chance to watch a show in which love is more than just physical, death is always present alongside life and everyone breaks into song ever so naturally. So for at least one hour a week, why not step into this bizarre and wonderful world … you might just come off craving for a piece of pie and wanting to live life to the fullest.
